Why doctors are prescribing art: Susan Magsamen and Ivy Ross dive into how the arts are just as crucial to our lives and well-being as nutrition and sleep. They talk about why and what has led to doctors prescribing visits to art museums for patients. This is even more important as the arts are often seen as optional and are the first to be cut from programming because they seem like a luxury, when in fact, they are essential to our survival. I read Magsamen and Ross's book, "Your Brain on Art: How the Arts Transform Us" for one of my classes, and I would highly recommend it to everyone to read or listen to on audiobook (it is free to listen to if you have Spotify Premium).
New groundbreaking research by Susan Magsamen and Ivy Ross, published in their book Your Brain on Art, confirms what we have long suspected: art proves to be just as essential to our survival as sleep, movement and nutrition. For See All This, they reveal the key findings of their research.
text: Susan Magsamen & Ivy Ross
‘Humanity began with firelight,’ evolutionary biologist Edward O. Wilson told us before his death in 2021. ‘Our lives as we know them come courtesy of lightning.’ Arcs of electricity six times hotter than the surface of the sun sparked trees and brush to flames on the African savanna where early Homo erectus and Homo sapiens captured this magic and carried it with them from place to place. Our prehistoric ancestors learned to harness wildfires into controlled campfires, bringing them back to shelters and camps.
During the day, language developed to address the basic daily needs of the group, from the logistics of tracking animals to caring for children and preparing food. At night, though, something remarkable happened. Fires were built, wood crackled into flame, and woodsmoke, heady and fragrant, filled the air. A honeyed glow warmed faces and illuminated the dark for the first time, offering warmth and protection from predators. So began the lasting human desire to make a circle, stare into the flickering fire, and commune.
The pragmatism of the day made way for the mystery and evocative nature of night, as fire fostered new forms of coming together. We created stories. We sang. We danced. We drew. We developed myths and metaphors that passed on the moral and ethical values of the group. We celebrated and we mourned.
Through the centuries, these creative expressions forged layers of meaning-making. Tribes around the world formed, and a sense of belonging emerged between individuals, families and groups. It was through these repetitive creative acts, that humans developed strong social bonds, created trusting relationships and a collective feeling of transcendence and communal need emerged.
Fire sparked the birth of community. More than 250 million years of evolution have favored social development and the core imperative to thrive in community by honing our unique ability to creatively share our thoughts, ideas, and emotions with one another. Today, there are still over 5,000 indigenous tribes on the planet, many of whom don’t have a word for art because it is simply entrenched in how they live.
Since the industrial revolution, we have been optimizing for productivity, and with that we have put fundamental human needs aside, because the arts are not only our birthright: science is discovering that we are evolutionarily and physiologically wired for them. The arts turn out to be as essential to our survival as sleep, exercise, and nutrition.
What Artists Already Knew
Over the last 25 years, technology has enabled us to non-invasively get inside our head, and researchers are catching up with what artists have always intuitively known. Research is confirming that arts and aesthetic experiences alter a complex physiological network of interconnected neurological and biological systems including cognition, immune and endocrine, circulatory, respiratory, reward and motor systems – to name just a few.
Many of these discoveries have been made through neuroaesthetics, an emerging interdisciplinary field. The goal is to understand how the arts and aesthetic experiences measurably impact our brains, bodies and behavior, and how this knowledge can be translated into practice in health and wellbeing.
A key to understanding the transformative power of the arts and aesthetics is found through our sensory systems. We literally bring the world in through our senses and these mechanisms are fascinating.
Smell is one of the oldest senses in terms of human evolution. Your nose can detect 1 trillion odors with over 400 types of scent receptors whose cells are renewed every thirty to sixty days. In fact, your sense of smell is so good that you can identify some scents better than a dog can.
Microscopic molecules released by substances around you stimulate your scent receptors. They enter your nose and dissolve in mucus within a membrane called the olfactory epithelium, located a few inches up the nasal cavity from the nostrils. From here, neurons, or nerve cells, which are the fundamental components of your brain and nervous system, send axons, which are long nerve fibers, to the main olfactory bulb. Once there, they connect with cells that detect distinct features of the scent.
Like scent, taste is also a chemical sense: The foods you eat trigger your 10,000-plus taste buds, generating electrical signals that travel from your mouth to an area of the brain called the gustatory cortex. This part of the brain is also believed to process visceral and emotional experiences, which helps to explain how it is that taste is among the most effective sensations for encoding memory.
Our ability to hear is intricate and precise. Sound from the outside world moves into the ear canal, causing the eardrum to vibrate. These sound waves travel through the ossicles to the cochlea and cause the fluid in the cochlea to move like ocean waves. There are thousands of small hair cells inside of the cochlea, and when the fluid moves, these cells are activated, sending messages to the auditory nerve, which then sends messages to the brain. The auditory cortex, also located in the temporal lobe, sits behind your ears, where memory and perception also occur. Music is the most researched art form.
Our ability to see requires us to process light through a complex system. Your eyes work similarly to a camera. What you see is converted into electrical signals by photoreceptors. The optic nerve then sends these signals to the occipital lobe in the back of the brain and converts them into what you see. It’s here that we perceive, recognize, and appreciate objects, and neuroscientists are discovering that it is one part of this lobe – the lateral occipital area – that contributes to how we process and create aesthetic appreciation of art.
Touch is one of the more powerful cognitive communication vehicles. It was one of our first sensory systems to evolve. Your fingers, hands, toes, feet, and skin are extraordinarily sensitive, picking up minute cues that trigger physiological and psychological responses. In each of your fingers, you have more than 3,000 nerve endings that are constantly taking in physical sensation. Touch receptors in your skin connect to neurons in the spinal cord by way of sensory nerves that reach the thalamus in the middle of the head on top of the brain stem.
We share our feelings and emotions through the simple act of holding a hand or sharing a hug. Touch rapidly changes our neurobiology and mental states of mind by releasing the neurotransmitter oxytocin, which is also attributed to feelings of trust, generosity, compassion, and lowered anxiety.
Always Making New Connections
Your smell, taste, vision, hearing, and touch produce biological reactions at staggering speeds. Hearing is registered in about 3 milliseconds. Touch can register in the brain within 50 milliseconds. Your entire body, not just your brain, takes in the world, yet much of this is outside of your awareness. Cognitive neuroscientists believe we’re conscious of only about 5 percent of our mental activity. The rest of your experience – physically, emotionally, sensorially – lives below what you are actually thinking.
Your brain is processing stimuli constantly, like a sponge, absorbing millions of sensory signals. But not all of the information that your brain is processing reaches your consciousness. You can’t process all the sensory stimuli that you are exposed to every day, but the most salient information that enters your body has an unlimited capacity to change your biology and behavior. Your brain pays attention to what is important to you either because it is practical or emotionally relevant. Turns out, the arts and aesthetics are some of the most salient experiences we have.
These arts and aesthetic experiences ignite your brain’s neuroplasticity. Each of us are born with 100 billion neurons that connect at a synaptic level. You have quadrillions of these connections in your brain, creating endless neuropathways. These pathways underlie your body movements, emotions, memory – basically, everything you do. When you are making a memory or learning something you are actually making some synaptic connections stronger and some weaker through the saliency of your experiences. And that is neuroplasticity.
You are always making new connections and pruning old synapses. This is why by continually putting yourself in new places and experiences, like going to museums and galleries, and performing and visual arts – including viewing beautiful publications such as See All This changes your brain in positive ways.
Becoming You
Becoming aware of what you like and don’t like, and better understanding how you are influenced, informed, and changed by arts encounters, creates opportunities for you to apply your own perceptual preferences to almost every area of your life. Using arts and aesthetics in this personalized way is so powerful because of your default mode network.
The default mode network is now believed to be where the neurological basis for the self is housed. Your responses to the arts and aesthetics are as individual as the geometry of a snowflake. The sonatas of Mozart or the sounds of traditional Portuguese fado music might transport some, while others feel uplifted by the Persian calligraphy of Mir Ali Tabrizi or the smell of ink made from henna. Still others get into the flow by being immersed in a film or reading a poem. One person’s cacophony is another person’s symphony. And your perception is your reality.
Your experiences with the arts and aesthetics are so singular because your brain-connectivity patterns are distinctive. Through your experiences, billions of new synapses form in your brain and these conduits build a repository of stored knowledge and responses as unique as your fingerprints. No one else, not a single person on this planet, has your exact brain.
Microdosing Aesthetics
Many of us tend to think of the arts as either entertainment or as an escape. A luxury of some kind. But they are so much more. Beyond prevention and brain health support, they can help address serious physical and mental health issues, with remarkable results. And they can help you learn, flourish and build community.
Around the world, doctors are prescribing museum visits. Schools are bringing music, studio art and performing arts back to enhance learning. And because research shows that sensory-rich environments help us learn faster and retain information better, workplaces, galleries and public spaces are being reimagined and redesigned with both function and feeling in mind.
We each have the agency to take actions that move us toward experiences that give us meaning and purpose and help us heal, learn, and thrive. It is in this way that simply daily habits become our lives. Simple, quick, accessible ‘acts of art’ can enhance your life.
Already we see a rise in microdosing of aesthetics as people use specific scents to relieve stress, calibrate light sources to adjust energy levels, and use specific tones of sound to alleviate anxiety. In the same way you might exercise to lower cholesterol and increase serotonin in the brain, just twenty minutes of doodling or humming can provide immediate support for your physical and mental state. Immersing yourself in aesthetic experiences from being in nature to visiting a gallery, lowers cortisol, the stress hormone. Playing music increases synapses and gray matter in the brain which helps support cognitive skills, while just one or more artist experiences a month, as a marker or a beholder, can extend your life by ten years. And researchers have debunked a huge myth, which is that you don’t have to be a skilled artist to have a significant impact on your health and wellbeing.
We invite you to build your aesthetic mindset. Engage your natural curiosity. Try more playful explorations, suspend judgment and simply experiment. Open yourself up to the sensorial experiences throughout your day. And be a maker and a beholder with even more intention.
It’s been said, the world is full of magic things, patiently waiting for our senses to grow sharper.
Creative Arts Therapies Week is always the 3rd week of March, celebrating art therapy, music therapy, dance/movement therapy, drama therapy, and poetry therapy.
The National Coalition of Creative Arts Therapies Associations (NCCATA) celebrates these CATs all year long:
Did you know there is an international credential that creative arts therapists
can obtain?
The REAT® credential identifies professionals who integrate more than one form
of the creative arts therapies together in mental health treatment. Registered
Expressive Arts Therapists are credentialed by the International Expressive
Arts Therapy Association.
You may remember moments when you were in flow state, or being "in the zone," when you get involved in a task or are working on something creative. This research study from Drexel University is studying how flow state works in the brain. They focus on flow state with musicians, but engaging in art can rely on the flow state as well. Flow state is also what can work very well in art therapy for deeper processing.
What has your experience been with the flow state?
Summary: A new study unveils how the brain
enters the creative flow state, famously known as being “in the zone.” By
analyzing jazz improvisations through EEGs, the research confirms that creative
flow combines extensive experience with a conscious release of control,
allowing for automatic idea generation.
This “expertise-plus-release” model suggests that deep
creative flow is more accessible to those with significant experience and the
ability to let go. The findings offer a new understanding of flow, challenging
previous theories and opening avenues for enhancing creativity through practice
and relinquishment of control.
Key Facts:
The
study supports the “expertise-plus-release” theory of creative flow,
indicating that expertise and the ability to release control are essential
for achieving deep creative states.
High-flow
states are associated with increased activity in the brain’s auditory and
touch areas, and decreased activity in executive control regions,
supporting the idea of reduced conscious control during creative flow.
Practical
implications suggest that achieving productive flow states requires
building expertise in a creative field and then training to “let go,”
enabling the brain’s specialized circuits to operate autonomously.
Source: Drexel University
Effortless, enjoyable productivity is a state of
consciousness prized and sought after by people in business, the arts,
research, education and anyone else who wants to produce a stream of creative ideas and products.
That’s the flow, or the sense of being “in the
zone.” A new neuroimaging study from Drexel
University’s Creativity Research Lab is the first to reveal how the
brain gets to the creative flow state.
The study isolated flow-related brain activity during a
creative task: jazz improvisation. The findings reveal the creative flow state
involves two key factors: extensive experience, which leads to a
network of brain areas specialized for generating the desired type of ideas,
plus the release of control – “letting go” – to allow this
network to work with little or no conscious supervision.
Led by John Kounios, PhD, professor in the College of Arts
and Sciences and Creativity Research Lab director, and David Rosen, PhD, a
recent graduate from the College and Johns Hopkins University postdoc – the
team determined their results suggest that creative flow can be achieved by
training people to release control when they have built up enough expertise in
a particular domain.
“Flow was first identified and studied by the pioneering
psychological scientist Mihaly Csikszentmihalyi,” said Kounios. “He defined it
as ‘a state in which people are so involved in an activity that nothing else
seems to matter; the experience is so enjoyable that people will continue to do
it even at great cost, for the sheer sake of doing it.’”
Kounios noted that although flow has long been a topic of
public fascination as well as the focus of hundreds of behavioral research
studies, there has been no consensus about what flow is. Their new study
decided between different theories of how flow is involved when people produce
creative ideas.
Theory: Is Flow a State of Hyperfocus?
One view is that flow might be a state of highly focused
concentration or hyperfocus that shuts out extraneous thoughts and other
distractions to enable superior performance on a task.
A related theory based on recent research on the
neuroscience of creativity is that flow occurs when the brain’s “default-mode
network,” a collection of brain areas that work together when a person
daydreams or introspects, generates ideas under the supervision of the
“executive control network” in the brain’s frontal lobes, which directs the
kinds of ideas the default-mode network produces. Kounios likened it to the
analogy of a person “supervising” a TV by picking the movie it streams.
Alternative Theory: Flow is Expertise Plus Letting Go
An alternative theory of creative flow is that through years
of intense practice, the brain develops a specialized network or circuit to
automatically produce a specific type of ideas, in this case musical ones, with
little conscious effort. In this view, the executive control network relaxes
its supervision so that the musician can “let go” and allow this specialized
circuit to go on “autopilot” without interference.
The research team said the key to this notion is the idea
that people who do not have extensive experience at a task or who have
difficulty releasing control will be less likely to experience deep creative
flow.
The study’s results support the “expertise-plus-release”
view of creative flow.
The researchers tested these competing theories of creative
flow by recording high-density electroencephalograms (EEGs) from 32 jazz guitar
players, some highly experienced and others less experienced. Each musician
improvised to six jazz lead sheets (songs) with programmed drums, bass and
piano accompaniment and rated the intensity of their flow experience for each
improvisation.
The resulting 192 recorded jazz improvisations, or “takes,”
were subsequently played for four jazz experts individually so they could rate
each for creativity and other qualities. The researchers then analyzed the EEGs
to discover which brain areas were associated with high-flow takes (compared to
low-flow takes).
The high-experience musicians experienced flow more often
and more intensely than the low-experience musicians. This shows that expertise
enables flow. However, expertise is not the only factor contributing to
creative flow.
The EEGs showed that a high-flow state was associated with
increased activity in left-hemisphere auditory and touch areas that are
involved in hearing and playing music. Importantly, high flow was also
associated with decreased activity in the brain’s superior
frontal gyri, an executive control region.
This is consistent with the idea that creative flow is
associated with reduced conscious control, that is, letting go. This previously
hypothesized phenomenon has been called “transient hypofrontality.”
For the high-experience musicians, flow was associated with
greater activity in auditory and vision areas. However, they also showed reduced activity
in parts of the default-mode network, suggesting that the default-mode network
was not contributing much to flow-related idea generation in these musicians.
In contrast, the low-experience musicians showed little
flow-related brain activity.
“A practical implication of these results is that productive
flow states can be attained by practice to build up expertise in a particular
creative outlet coupled with training to withdraw conscious control when enough
expertise has been achieved,” said Kounios. “This can be the basis for new
techniques for instructing people to produce creative ideas.”
Kounios added, “If you want to be able to stream ideas
fluently, then keep working on those musical scales, physics problems or
whatever else you want to do creatively—computer coding, fiction writing—you
name it. But then, try letting go. As jazz great Charlie Parker said, ‘You’ve
got to learn your instrument. Then, you practice, practice, practice. And then,
when you finally get up there on the bandstand, forget all that and just
wail.’”
About this creativity and neuroscience research news:
Author: Annie Korp Source: Drexel
University Contact: Annie Korp – Drexel University Image: The image is credited to Neuroscience News
Creative flow as optimized processing: Evidence from
brain oscillations during jazz improvisations by expert and non-expert
musicians
Using a creative production task, jazz improvisation, we
tested alternative hypotheses about the flow experience: (A) that it is a state
of domain-specific processing optimized by experience and characterized by
minimal interference from task-negative default-mode network (DMN) activity
versus (B) that it recruits domain-general task-positive DMN activity
supervised by the fronto-parietal control network (FPCN) to support ideation.
We recorded jazz guitarists’ electroencephalograms (EEGs) while they improvised
to provided chord sequences.
Their flow-states were measured with the Core Flow State
Scale. Flow-related neural sources were reconstructed using SPM12. Over all
musicians, high-flow (relative to low-flow) improvisations were associated with
transient hypofrontality. High-experience musicians’ high-flow improvisations
showed reduced activity in posterior DMN nodes.
Low-experience musicians showed no flow-related DMN or FPCN
modulation. High-experience musicians also showed modality-specific
left-hemisphere flow-related activity while low-experience musicians showed
modality-specific right-hemisphere flow-related deactivations.
These results are consistent with the idea that creative
flow represents optimized domain-specific processing enabled by extensive
practice paired with reduced cognitive control.
This article notes how faith and spirituality can help both mental and physical health. Improvements have been shown in areas such as longevity, quality of life, cortisol levels, immunity, and levels of anxiety, depression, and substance use.
I am interested to hear from you how your faith - or observed faith from others - have helped with mental or physical issues.
Keep the faith:
Spirituality can improve mental health, expert says
People
say faith can move mountains. According to these sources, it can also ease
symptoms of anxiety and depression
Published: Aug
3, 2023, 2:19 p.m. MDT
The Rev. Curtis Price, of the First Baptist Church, holds hands and prays
with the Rev. Monica Dobbins, of the First Unitarian Church, in front of the
House chambers at the Capitol in Salt Lake City on Friday, Feb. 8, 2019. Deseret
News
Spirituality
positively impacts the mind and leads to a decreased risk of suicide and
addiction, psychologist Lisa Miller told NPR on Sunday.
NPR
said Miller “has dedicated most of her career to the study of neuroscience and
spirituality.” She found that people who said they have a meaningful spiritual
life were 80% less likely to become addicted to drugs or alcohol, compared to
someone who said they don’t.
In an
interview with NPR, Miller said:
The higher the risk for
depression genetically, the greater the effect of spirituality as a source
of resilience against depression.
Recalling a powerful, spiritual
memory triggers the same reaction in the brain as receiving a hug from a
family member as a baby.
Those who say they have a
spiritual life are 82% less likely to commit suicide.
Miller
previously told the Deseret News in an interview that “depression and
spirituality are two sides of one door,” and that she is “very interested in
how recovery and renewal from depression, despair or hard times is often found
through spiritual life.”
How does spirituality
affect the body?
USA Today reported earlier this year on the
effects of spirituality on the body.
The
article quoted the Mayo Clinic and said, “Most studies have shown
that religious involvement and spirituality are associated with better
health outcomes, including greater longevity, coping skills and health-related
quality of life (even during terminal illness) and less anxiety, depression and
suicide.”
The National Library of Medicine published a study
that said prayer, a common spiritual practice, can reduce or increase stress
and anxiety, depending on what the prayer is about.
“One-third
of spirituality is innate, two-thirds environmentally cultivated,” Miller told
Deseret News.
Tyler
VanderWeele, professor of epidemiology in the Departments of Epidemiology and Biostatistics at
the Harvard T.H. Chan Public School of Health, told the
school, “Focusing on spirituality in health care means caring for the whole
person, not just their disease.”
“Integrating
spirituality into care can help each person have a better chance of reaching
complete well-being and their highest attainable standard of health,”
said Howard Koh, the Harvey V. Fineberg Professor of the
Practice of Public Health Leadership at Harvard T.H. Chan School.
At my place of work, we offer Battlefield Acupuncture (BFA) with semipermanent needles for pain, anxiety, and mood improvement. Many service members have found benefit from it, especially because it is not another pharmaceutical. Newer research is showing that acupuncture also may be beneficial for PTSD symptom improvement, which can be a cost-effective approach with minimal side effects.
If you have had acupuncture before, how has it helped you?
Acupuncture Tops Sham for Easing PTSD in Combat Veterans
— Large treatment effect observed for clinical and biological measures of combat-related PTSD
by Shannon Firth, Washington Correspondent, MedPage Today
February 22, 2024 • 3 min read
Acupuncture outperformed "sham" needling in clinical and biological measures of combat-related post-traumatic stress disorder (PTSD) in veterans, a prospective randomized trial showed.
In the intention-to-treat analysis, there was a large treatment effect of verum acupuncture (Cohen d 1.17), a moderate effect of sham acupuncture (d 0.67), and a moderate between-group effect favoring verum acupuncture (d 0.63, P=0.005), reported Michael Hollifield, MD, of the Tibor Rubin VA Medical Center in Long Beach, California, and co-authors in JAMA Psychiatry.
The effect pattern was similar in the treatment-completed analysis between the group receiving verum acupuncture -- which means "true" or "real acupuncture according to a healing tradition and protocol," said Hollifield -- and the sham group.
"While [PTSD is] thought of as a mental illness, it's really not, in some sense. It's an environmentally caused, whole-body illness that affects the brain and other parts of the body," Hollifield told MedPage Today. "And that's why we believe acupuncture, as a somatic treatment, works, because trauma is stored deep in other body systems."
"It's not just a psychological process," he added, noting this is his opinion, but one with which many of his patients agree.
While previous studies of acupuncture in civilians and active military troops have demonstrated its effectiveness, Hollifield said his study, which used improved controls, was needed to "definitively" support acupuncture for PTSD. He noted that "acupuncture ought to be considered a potential first-line treatment for PTSD."
There was also a significant pretreatment to post-treatment reduction in fear-conditioned extinction, which was assessed by a fear-potentiated startle response -- a sudden blast of air paired with a certain image, such as a blue box -- in the group receiving verum acupuncture versus the sham group, and a significant correlation (r=0.31) between symptom reduction and fear extinction.
For this secondary outcome, the startle response was measured using eyeblink electromyography, Hollifield explained. After treatment with either sham or verum acupuncture, Hollifield and his co-authors looked to see how long it takes for that fear response to dissipate when the stimulus -- that blast of air -- no longer occurs with the image.
"And we found that acupuncture distinguished itself very nicely from the sham procedure, by people extinguishing that fear response more rapidly after treatment in the acupuncture group than in the sham group," he said.
For this two-arm, parallel-group, blinded single-center study, participants were recruited using flyers and emails from April 2018 to May 2022. The researchers included 85 male and eight female veterans ages 18 to 55 (mean age 39.2, 47.3% white, 18.3% Asian) with moderate to severe PTSD.
About one-third of veterans saw moderate combat, 30% saw moderate heavy combat, and 16% saw heavy combat.
Both groups received 1-hour sessions twice weekly and were given 15 weeks to complete as many as 24 sessions.
The study used the Clinician-Administered PTSD Scale-5 (CAPS-5), the "gold standard" for PTSD assessment, to measure symptom reduction by assessing symptom severity pre- and post-treatment. The CAPS-5 includes 20 items, rated from 0 to 4 (with 4 representing the most severe), which are then totaled into a single severity score.
As for safety, 64 adverse events occurred, seven of which were study related, and three were potentially related.
Three participants experienced anxiety during physiology testing; one had nocturnal panic attacks; one had increased suicidal ideation, which resolved; and one withdrew prior to randomization owing to increased symptoms. One participant withdrew for intervention-related symptoms. No participants withdrew as a result of suicidal or homicidal ideation.
A limitation of the study was that it was difficult to design a "truly blinded study" of acupuncture, Hollifield said. "People know what they're getting, and the acupuncturist knows what they're delivering."
With this study completed, next steps are to compare acupuncture with other evidence-based treatments and to conduct cost-effectiveness studies.
Shannon Firth has been reporting on health policy as MedPage Today's Washington correspondent since 2014. She is also a member of the site's Enterprise & Investigative Reporting team. Connect: